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To be together is for us to be at once as free as in solitude, as gay as in company.

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This passage appears in Chapter 12, in the midst of Jane’s description of her first few weeks at Thornfield.Nobody knows how many rebellions besides political rebellions ferment in the masses of life which people earth.Women are supposed to be very calm generally: but women feel just as men feel; they need exercise for their faculties, and a field for their efforts as much as their brothers do; they suffer from too rigid a restraint, too absolute a stagnation, precisely as men would suffer; and it is narrow-minded in their more privileged fellow-creatures to say that they ought to confine themselves to making puddings and knitting stockings, to playing on the piano and embroidering bags.The images of restlessness and pacing, of feeling “stagnation” and “too rigid a restraint,” are examples of the book’s central theme of imprisonment. John may also threaten Jane with the fetters of patriarchy, which is the specific force Jane resists in this passage.In addition to instances of physical imprisonment, Jane must also escape the fetters of misguided religion (represented by Brocklehurst), of passion without principle (represented at first by Rochester), and of principle without passion (represented by St. Jane extends her feeling of entrapment to her fellow women, and these sentences constitute Brontë’s feminist manifesto.Then my sole relief was to walk along the corridor of the third story, backwards and forwards, safe in the silence and solitude of the spot, and allow my mind’s eye to dwell on whatever bright visions rose before it—and, certainly, they were many and glowing; to let my heart be heaved by the exultant movement . It is in vain to say human beings ought to be satisfied with tranquility: they must have action; and they will make it if they cannot find it.

Millions are condemned to a stiller doom than mine, and millions are in silent revolt against their lot.

It is possible to see Bertha as a double for Jane, who embodies what Jane feels within—especially since the externalization of interior sentiment is a trait common to the Gothic novel. As his curate, his comrade, all would be right: I would cross oceans with him in that capacity; toil under Eastern suns, in Asian deserts with him in that office; admire and emulate his courage and devotion and vigour: accommodate quietly to his masterhood; smile undisturbed at his ineradicable ambition. There would be recesses in my mind which would be only mine, to which he never came; and sentiments growing there, fresh and sheltered, which his austerity could never blight, nor his measured warrior-march trample down: but as his wife—at his side always, and always restrained, and always checked—forced to keep the fire of my nature continually low, to compel it to burn inwardly and never utter a cry, though the imprisoned flame consumed vital after vital—this would be unendurable. Jane dramatizes the interior conflict involved in making her decision. It is an opportunity to perform good works and to be more than a governess, schoolteacher, or housewife—the roles traditionally open to women.

The description of Jane’s blood running like “fire” constitutes one of many points in the book in which Jane is associated with flames. ” I said briefly; and I looked at his features, beautiful in their harmony, but strangely formidable in their still severity; at his brow, commanding, but not open; at his eyes, bright and deep and searching, but never soft; at his tall imposing figure; and fancied myself in idea his wife. Jane’s teaching jobs at Lowood, Thornfield, and Morton have all made her feel trapped, and she would not mind enduring hardships for a cause in which she truly believes. John’s principles—“ambition,” “austerity,” and arrogance—are not those that Jane upholds.

No woman was ever nearer to her mate than I am: ever more absolutely bone of his bone, and flesh of his flesh.

I know no weariness of my Edward’s society: he knows none of mine, any more than we each do of the pulsation of the heart that beats in our separate bosoms; consequently, we are ever together.

Feeling, too, must play a role in one’s life: a balance must be struck.